Collaborations are meant to reveal something new about the artists involved. At their best, they align visions, sharpen ideas, and create a shared emotional center. On My Healer, the collaboration between Seyi Vibez and Omah Lay instead exposes a familiar weakness in Seyi Vibez’s music making: a lack of lyrical intention and emotional coherence. From […]
When a musician sounds disinterested in his own craft, the resulting body of work often feels like an obligation, not an inspiration. That is precisely the problem with BNXN’s new album Captain — a project that feels like a checkbox ticked for label compliance rather than an expression of artistry. Formerly known as Buju, BNXN […]
A Promising Start That Fizzles Into Confusion Ayo Maff’s first LP, Prince of the Street, arrives with an ambitious title—but the album often feels like it’s chasing a version of “street credibility” that doesn’t align with the artist’s sonic identity. While the project opens with promise, the thematic thread unravels as it moves from track […]
Seyi Vibez’s “Children of Africa” EP: A Mechanical Approach to Music Introduction Seyi Vibez is undeniably talented, but even great talent can falter when an artist prioritizes quantity over quality. Over time, Seyi Vibez has developed a predictable formula for releasing music—one good song surrounded by disjointed tracks that feel rushed and lack cohesion. His […]
Introduction Seyi Vibez, an artist who emerged from the heart of the Nigerian music scene, continues to captivate listeners with his evolving sound and style. Known for his high Yoruba influence, Seyi’s music has sometimes been challenging for non-Yoruba speakers to fully appreciate. However, his latest EP, “Loseyi Professor,” demonstrates a willingness to experiment and […]
