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Bruno Mars – “I Just Might” Review: Funk as Romance,...

Valentine Chiamaka
January 28, 2026

From Soulful R&B to Dance-First Funk When Bruno Mars broke through in 2010, the pitch was clear: a modern R&B...

Afro Pop

Wizkid & Asake – Real Vol. 1 EP Review

Valentine Chiamaka
January 26, 2026

When Two Giants Enter the Same Studio When Wizkid and Asake announced Real Vol. 1, it immediately felt bigger than...

Afro Pop

Asake at the Red Bull Symphonic: How Afrobeats Took Over...

Valentine Chiamaka
January 25, 2026

One of the quiet crises in the Nigerian music industry is not talent, marketing, or even global reach. It is...

Peace by Piece Fireboy DML Pheelz review

Afro Pop

Peace by Piece by Fireboy DML & Pheelz: When Repetition...

Valentine Chiamaka
January 21, 2026

Peace by Piece Fireboy DML Pheelz review Introduction On paper, Peace by Piece should have been a statement project. Fireboy...

Music

Taylor Swift’s The Fate of Ophelia: Rewriting Shakespeare’s Most Tragic...

Valentine Chiamaka
January 20, 2026

Taylor Swift The Fate of Ophelia review Taylor Swift has never hidden her affection for literature, but The Fate of...

Afro Pop

Album Review: Symbol of Hope Finds Zlatan Balancing Hustle, Faith,...

Valentine Chiamaka
January 19, 2026

Zlatan Ibile has never been short on presence. From street anthems to slang-shaping records, his rise has been built on...

Afro Pop

Magixx – “Everyday” Review: Prayers, Persistence, and the Search for...

Valentine Chiamaka
January 18, 2026

A Career at a Crossroads When an artist’s star power plateaus, the options become limited. At that stage, consistency becomes...

Afro Pop

Wizkid & Asake’s “Jogodo” Review: Star Power, Sonic Chemistry, and...

Valentine Chiamaka
January 17, 2026

A Bromance Built on Mutual Gain The relationship between Wizkid and Asake has quietly grown into one of the most...

Afro Pop

Peruzzi’s Sabali: When a Songwriter Fully Steps Into His Own...

Valentine Chiamaka
January 7, 2026

Peruzzi is not a new name in the Nigerian music scene. Long before conversations about his solo catalogue gained momentum,...

R n B

Tiwa Savage’s “This One Is Personal” Is an R&B Album...

Valentine Chiamaka
January 5, 2026

An Intentional Departure From Afrobeats This one Is Personal is Tiwa Savage deliberately stepping away from expectations. Rather than leaning...

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Bruno Mars – “I Just Might” Review: Funk as Romance,...

Wizkid & Asake – Real Vol. 1 EP Review

Asake at the Red Bull Symphonic: How Afrobeats Took Over...

Peace by Piece by Fireboy DML & Pheelz: When Repetition...

Taylor Swift’s The Fate of Ophelia: Rewriting Shakespeare’s Most Tragic...

Album Review: Symbol of Hope Finds Zlatan Balancing Hustle, Faith,...

Magixx – “Everyday” Review: Prayers, Persistence, and the Search for...

Wizkid & Asake’s “Jogodo” Review: Star Power, Sonic Chemistry, and...

Peruzzi’s Sabali: When a Songwriter Fully Steps Into His Own...

Tiwa Savage’s “This One Is Personal” Is an R&B Album...

Pour the World Spit Review: Erigga Returns to Raw Nigerian Boombap

Valentine’s Day Outfits and the Performance of Love in Nigeria

Don’t Love Me by Omah Lay: A Return to Emotional Brutality

Pour the World Spit Review: Erigga Returns to Raw Nigerian

Valentine’s Day Outfits and the Performance of Love in Nigeria

Don’t Love Me by Omah Lay: A Return to Emotional

Man to Man by Dremo: When Silence Breaks and the

Harry Styles “Aperture” Review: EDM Texture, Soul Restraint, and Star