Music Archives : CriticBux

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Erigga Pour the World Spit Nigerian boombap rap

Hip Hop

Pour the World Spit Review: Erigga Returns to Raw Nigerian...

Valentine Chiamaka
February 9, 2026

Erigga has never been the type of rapper to chase trends or polish his rough edges for acceptance. With Pour...

Don’t Love Me by Omah Lay – Music Review

Afro Pop

Don’t Love Me by Omah Lay: A Return to Emotional...

Valentine Chiamaka
February 7, 2026

Omah Lay’s return to the spotlight has been a cautious one. After a long silence, Waist arrived as his first...

Hip Hop

Man to Man by Dremo: When Silence Breaks and the...

Valentine Chiamaka
February 6, 2026

Sometimes, all it takes is one record to pull an artist back into the conversation. Not a carefully calculated hit...

Music

Harry Styles “Aperture” Review: EDM Texture, Soul Restraint, and Star...

Valentine Chiamaka
February 5, 2026

A Veteran Pop Star in a New Phase Harry Styles’ post One Direction career has been defined by reinvention. Since...

Afro Pop

Phyno’s “Ask of Me Now” and the Confidence of a...

Valentine Chiamaka
February 4, 2026

Longevity is a rare currency in the Nigerian music industry, and Phyno has earned his place as one of the...

Afro Pop

Lekaa Beats Angels Review: Omah Lay and Odumodublvck Struggle for...

Valentine Chiamaka
February 3, 2026

When producers step out from behind the boards to present records under their own name, the expectation often shifts. The...

Afro Pop

FOLA’s “Caricature” Is the Sound of Emotional Ease and Quiet...

Valentine Chiamaka
February 2, 2026

FOLA’s artistic growth has been gradual but noticeable. Since coming under the mentorship and creative umbrella of Bella Shmurda, his...

Hip Hop

Don Toliver Featuring Rema “Secondhand” Review: When Timing Meets Talent

Valentine Chiamaka
February 1, 2026

Every generation of global stars shares one common trait. An uncommon skill set that separates them from their peers long...

Afro Pop

Seyi Vibez & Omah Lay “My Healer”: When Streaming Strategy...

Valentine Chiamaka
January 31, 2026

Collaborations are meant to reveal something new about the artists involved. At their best, they align visions, sharpen ideas, and...

R n B

Kehlani’s “Folded” Review: A Quiet R&B Song That Thrives on...

Valentine Chiamaka
January 30, 2026

Kehlani’s Commitment to Pure R&B In an era where R&B artists are constantly pressured to bend toward pop, Afrobeats, or...

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Pour the World Spit Review: Erigga Returns to Raw Nigerian...

Don’t Love Me by Omah Lay: A Return to Emotional...

Man to Man by Dremo: When Silence Breaks and the...

Harry Styles “Aperture” Review: EDM Texture, Soul Restraint, and Star...

Phyno’s “Ask of Me Now” and the Confidence of a...

Lekaa Beats Angels Review: Omah Lay and Odumodublvck Struggle for...

FOLA’s “Caricature” Is the Sound of Emotional Ease and Quiet...

Don Toliver Featuring Rema “Secondhand” Review: When Timing Meets Talent

Seyi Vibez & Omah Lay “My Healer”: When Streaming Strategy...

Kehlani’s “Folded” Review: A Quiet R&B Song That Thrives on...

Pour the World Spit Review: Erigga Returns to Raw Nigerian Boombap

Valentine’s Day Outfits and the Performance of Love in Nigeria

Don’t Love Me by Omah Lay: A Return to Emotional Brutality

Pour the World Spit Review: Erigga Returns to Raw Nigerian

Valentine’s Day Outfits and the Performance of Love in Nigeria

Don’t Love Me by Omah Lay: A Return to Emotional

Man to Man by Dremo: When Silence Breaks and the

Harry Styles “Aperture” Review: EDM Texture, Soul Restraint, and Star