Music Archives : Page 2 of 48 : CriticBux

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Afro Pop

Sarz & BNXN – Back Outside Review: Survival, Spirit, and...

Valentine Chiamaka
April 28, 2026

When a producer decides to step out from behind the boards and take full control of a record, the focus...

Afro Pop

Shallipopi’s 420 Review: A Benin Soundscape Carried by Rhythm and...

Valentine Chiamaka
April 27, 2026

Introduction: Sound Before Substance Shallipopi continues to shape a sound that sets him apart within Afrobeats. 420 makes that clear...

Afro Pop

Reekado Banks – Nobody ft. Libianca: A Familiar Love Story...

Valentine Chiamaka
April 23, 2026

Reekado Banks returns with “Nobody,” a collaboration featuring Libianca, following his recent album run. On paper, this pairing holds promise....

Music

Olivia Rodrigo Drop Dead Review: A Familiar Pop Sound Driven...

Valentine Chiamaka
April 22, 2026

Introduction: Another Page in Olivia Rodrigo’s Diary Olivia Rodrigo returns with Drop Dead, a track produced by Dan Nigro. The...

Afro Pop

Adekunle Gold & Olamide – A Fuji Reunion Built for...

Valentine Chiamaka
April 21, 2026

There is something intentional about this collaboration between Adekunle Gold and Olamide. It is not just another feature. It is...

Afro Pop Hip Hop

Blaqbonez – No Excuses Deluxe Review

Valentine Chiamaka
April 20, 2026

A Project Caught Between Versatility and Identity Blaqbonez has built a reputation around personality, wit, and a willingness to stretch...

R n B

Kehlani – Back and Forth ft. Missy Elliott: A Return...

Valentine Chiamaka
April 15, 2026

A Post-Grammy Statement Rooted in Tradition Fresh off a Grammy win, Kehlani steps into Back and Forth with a clear...

Afro Pop

Johnny Drille Expands His Sound on “Colorado” with Ayra Starr...

Valentine Chiamaka
April 14, 2026

From Alté Roots to Afrobeats Fluidity Johnny Drille has steadily evolved from being one of the defining voices of Nigeria’s...

Afro Pop

Omah Lay’s Clarity of Mind Review: A Difficult First Listen...

Valentine Chiamaka
April 13, 2026

When Omah Lay first emerged as a defining voice of what many now call “Afro-depression,” he carved a lane that...

Hip Hop

The Rise of Afro-Commotion: How Odumodu Blvck, Tuff King &...

Valentine Chiamaka
April 10, 2026

Hip-Hop’s Role in Building the Nigerian Sound Hip-hop is not just a genre in Nigeria’s music history, it is one...

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Sarz & BNXN – Back Outside Review: Survival, Spirit, and...

Shallipopi’s 420 Review: A Benin Soundscape Carried by Rhythm and...

Reekado Banks – Nobody ft. Libianca: A Familiar Love Story...

Olivia Rodrigo Drop Dead Review: A Familiar Pop Sound Driven...

Adekunle Gold & Olamide – A Fuji Reunion Built for...

Blaqbonez – No Excuses Deluxe Review

Kehlani – Back and Forth ft. Missy Elliott: A Return...

Johnny Drille Expands His Sound on “Colorado” with Ayra Starr...

Omah Lay’s Clarity of Mind Review: A Difficult First Listen...

The Rise of Afro-Commotion: How Odumodu Blvck, Tuff King &...

Sarz and BNXN’s The Game Needs Us EP Review: A Project Built on Cultural Direction Rather Than Reinvention

Olamide Rock Me Gentle Review: Amapiano Vibes Without Substance

Victor AD and Timaya’s “Only God” Is a Reflection on Survival, Gratitude and Faith

Sarz and BNXN’s The Game Needs Us EP Review: A

Olamide Rock Me Gentle Review: Amapiano Vibes Without Substance

Victor AD and Timaya’s “Only God” Is a Reflection on

Asake Finds Spiritual Reflection in Sound on M$NEY

Power and Heritage in Niger Delta Ceremonial Dressing: A Mai